She gathers the background of her work from her travels, which sometimes become in spite of herself a treasure. The world hiding from itself emerges as a new from through its multiple disappearances. It is within this shift of appearance that Mireille Kassar's work takes place.
«Mireille Kassar's work is thought of as the expansion of a state of consciousness ... Beyond or beneath the language. It can be seen as a readjustment of the sensory experience, the shift from discursive thought to primary cognitive sensations.
Painting, which is at the center of her work, orients, summons and organizes other forms of art. Her artistic and spiritual journey leads her to explore countries and regions whose geographical or cultural remoteness guarantee a strange proximity.
Remoteness, proximity, dispersion, deployment, time freed from its linearity, are all the elements found at the core of her dedicated work.
We observe recurring themes revealed by the experiences she leads: Emergence, Disappearance, Transmission but also Destruction, Experimentation, Resurgence, Spaces of heterotopias, and a deployed temporality: "Chronos, Kairos", "Dasein", “Al Zaman al Sarmadi”, “Heterochronia” (which questions and disrupts the common construction of time as well as its relation to the hegemony of historical narratives.)
